How to Shoot the Northern Lights

Whether you’re off to the northern reaches of Canada or Alaska, the Nordic countries, or Scotland this winter, you’ll be tingling with excitement to recreate the northern lights from photography you’ve been drooling over for goodness knows how long. Latin for the northern dawn, the aurora borealis displays a solar-powered jig of shimmering green swathes rippling across the sky. Here are the basics on how to capture Nature’s most spectacular after-dinner show.

 

Preparation

Download a local alert app to determine the aurora forecast. Keep your eyes peeled on the KP index ranging from zero, for low activity, to 9—time to get your game face on. Only a guide, the coronal mass ejection can still be seen at KP 2. However, heavy cloud coverage isn’t conducive to seeing the swirls of light, let alone shooting them. Neither is setting up your stall near any light pollution. Aim for clear, dark skies with 0-20 percent cloud.

Bearing witness to the otherworldly spectacle can mean enduring inhuman temperatures. Insulate yourself for the conditions and temperatures in which you’ll be shooting. You could be stood for a while; wear gloves in which you can operate your camera, with winter gloves on top. Nothing burns like the cold—a hot flask, hand warmers, and a head torch (a red light won’t disturb your night vision) are priceless items in the field, too. When the aurora forecast looks promising, and you’re not plagued by bad weather, choose a spot with foreground and/or background interest such as trees, water, or a mountain. During the day, set up the equipment you’ll be using at night. When darkness descends, keep your face glued to the sky; some auroras flash in a fleeting moment. When the miracle lasts hours, it’ll be like prying a magnet off steel.

 

Equipment

Camera Full-frame or 35mm, DSLR or mirrorless camera on manual preferably in RAW image format (gives greater flexibility in post than JPEG)

Tripod A robust tripod (e.g., RRS) that won’t be buffeted during long exposure times

Lens Wide-angle lens to encapsulate a significant portion of the sky

Spares Batteries (some run low in the cold, keep them close to your body) and memory cards

Nice-to-haves A statue-still model in the shot is a bonus

 

Settings

NB: Steps 1-4 during the day

  1. Focus Set the lens at infinity and tweak the focus ring. When happy, use masking tape or a silver Sharpie to mark the focus ring’s positioning with the lens barrel so it’s pin-sharp when the aurora emerges.
  2. Metering mode Evaluative or matrix
  3. Aperture Ideally f/2.8 or the lowest number on your lens
  4. White balance Leave on auto, adjust in post-edit. Or, shoot around Kelvin 3500 to add a cooler tone to your images and better match what you’re seeing.
  5. Exposure 10-25 seconds for slow-moving auroras and 5-9 seconds for faster-paced ones. Use your camera’s metering system as a guide.
  6. ISO 400-3200Experiment with 400 upwards until you reach the desired brightness. The lower ISO, the less noise. It’s advantageous to use your camera’s histogram to avoid losing any detail in the shadows off the left or blowing out the highlights on the right. The screen’s brightness isn’t an ideal indicator of exposure.

When photographing the aurora’s great curtains of green fire in vivid colour and sharp detail, keep refining the settings as the shafts of light change colour, brightness, and speed—strobing from one horizon to the next. Notch the ISO up slightly if your exposure is too dark but watch for noise creeping in. Avoid raising the ISO to achieve a brighter image before opening your aperture to f/2.8 (or your camera’s widest aperture). That, with a bit of luck and persistence, you’ll be ODing on shooting the emerald light show. Framed in a beautiful capture, you can forever preserve the northern lights as the celestial phenomenon that it is.

British born and location independent, Four Wheeled Nomad is Lisa Morris and Jason Spafford, avid wilderness-seekers. Remote exploration is the couple’s driving force, enabling their passion and skillset as content creators. Previously, they co-ran scuba diving trips as instructor guides. Having hung up the fins, they motorcycled the Americas—an almost five-year, 80,000-mile jaunt taking in Antarctica to the Arctic. Jason is a photographer who dabbles in filmmaking. His internationally published portfolio is layered in two decades of adventure travel, landscape and commercial, where his beautiful captures of terrain can be found on Instagram. Lisa tells tales from the trails, freelancing for publications worldwide in the hopes of inspiring people to consider their relationship with nature and preserve the wild places left in the world. Currently, a Cape-to-Cape expedition sees the duo in White Rhino, a Toyota HiLux, roaming the Nordic countries and African continent. If nothing else, overlanding by various modes and means has made them wonder if there’s enough lifetime left.